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Like Sleeping In A Grave
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The Source Of My Decay
06:47
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Vanessa Funke Gevelsberg, Germany
Vanessa Funke is a German musician, who mostly does every aspect of her music herself, ranging from playing and recording
the instruments to singing and producing.
Vanessa's music isn't always easy to categorise. It ventures between Melodic Death Metal and Black Metal, but also includes several other inspirations from other genres.
... more
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supported by 6 fans who also own âOde To Hopelessnessâ
NONE a opĂ©rĂ© un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des mĂ©taphores est rĂ©volu : l'humiditĂ© froide, c'est celle des larmes qui coulent sur le visage Ă cause de la dĂ©pression. Tout pleure dans cet album : les guitares typĂ©es DSBM grĂ©sillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent Ă la gorge ; mĂȘme le piano, Ă©tranglĂ© par les sanglots ("Cease"), est aphone. Insoutenable...
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supported by 5 fans who also own âOde To Hopelessnessâ
Read the prescription Take this as medication And listen to these Soul cleansing hugs Thanks, this works very well !
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Samhain - a Path to Autumn (re-release with bonuses)
by Train to Elsewhere
supported by 5 fans who also own âOde To Hopelessnessâ
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Raven And The Nightsky
by Dark The Suns
Finnish death metallers leaven infernal dynamics with triumphant, infectious melodies, striking a compelling balance between grit and grace.
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In Somber Dreams
by Mother of Graves
featured on Bandcamp Radio Jan 22, 2021
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Covenant of the Blackened Woodlands
by IthilrÄ
featured on Bandcamp Radio Jan 19, 2024
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Life has gone on long enough
by NONE
supported by 5 fans who also own âOde To Hopelessnessâ
On ne frappe pas un homme à terre : c'est ce que dit la rÚgle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxiÚme opus, nous interdit l'accÚs au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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